Amateur Cinema Studies Network News

‘British Women Amateur Filmmakers. National Memories and Global Identities’ – new book

New book: ‘British Women Amateur Filmmakers. National Memories and Global Identities’ by Annamaria Motrescu-Mayes and Heather Norris Nicholson (Edinburgh University Press, 2018. ISBN:9781474420730. Also available in eBook)

This is the first book to address the topic of British women amateur filmmakers. The study of amateur filmmaking and media history is a rapidly-growing specialist field, and this ground-breaking book is the first to address the subject in the context of British women’s amateur practice. Using an interdisciplinary framework that draws upon social and visual anthropology, imperial and postcolonial studies, and British and Commonwealth history, the book explores how women used the evolving technologies of the moving image to write visual narratives about their lives and times. Locating women’s recreational visual practice within a century of profound societal, technological and ideological change, ‘British Women Amateur Filmmakers’ discloses how women negotiated aspects of their changing lifestyles, attitudes and opportunities through first-person visual narratives about themselves and the world around them.

Key Features
· Brings expertise in interpreting relevant archive visual material specific to an under-researched film genre: amateur cinematic practice
· Combines newly uncovered findings on women’s amateur film and video-related practice with relevant primary and secondary literature
·  Explores key issues of gender and amateur film practice across various social, cultural and racial contexts

Endorsement:
“Packed with keenly researched historical detail and splendidly illustrated, ‘British Women Amateur Filmmakers’ brings to light the fascinating and hitherto hidden history of women’s contribution to amateur film practice.”
Annette Kuhn, Emeritus Professor in Film Studies, Queen Mary University of London

Authors:
· Annamaria Motrescu-Mayes is an affiliated Lecturer in digital and new media anthropology at the Department of Social Anthropology, University of Cambridge. Fellow and Tutor, Clare Hall.
· Heather Norris Nicholson holds honorary research positions at the University of Huddersfield and also at Manchester Metropolitan University.

A 30% discount is available for purchases directly from publisher with the following promotional code: NEW30. Please feel welcome to recommend it to your librarian. Flyer available here British Women Amateur Filmmakers[1]

 

Family Tales. Small Gauge Stories and Narrations

“Family Tales. Small Gauge Stories and Narrations
Home Movies – Parri, via Sant’Isaia 18-20

Saturday, November 17 – 5.30 pm | Talk / Screening

Last chapter of Family Tales workshop. Started the last June, the course has allowed participants to plunge themselves in the stories hidden in Home Movies Archive films. Sometimes unseizable stories, recalling oral memory of protagonists and witnesses, which have been recovered and brought to light with the aim of making them publicly available. We’ll present a varied landscape: from a Friulian family emigrated to Belgian Congo in the early century, to the families of dock workers from Ravenna, intertwining 9.5mm lyric and elegant images as well as rough super8 which document innovative school experiences from ‘70s.

Curated by Ilaria Ferretti and Chiara Petrucci with the collaboration of workshop participants.”

For further information see Archivio Aperto XI edition

Learning Home Movies. Educational Uses of Amateur and Private Film

“Learning Home Movies. Educational Uses of Amateur and Private Film
Home Movies – Parri, via Sant’Isaia 18-20

Friday, November 16 – 4 pm | Talk

Home Movies, in collaboration with Istituto per la Storia e le Memorie del Novecento Parri, offers a training course designed for teachers working with high school students and focused on research and educational use of unseen and private material preserved at the Archive, of which this talk constitutes the methodological introduction. The urgency of proposing courses that bring the youngsters closer to the history of 20th Century, which, at their eyes, is distant and with no apparent links to the present, is increasingly evident.”

For further information see Archivio Aperto XI edition

Archivio Aperto XI Edition, 26 October – 3 December 2018

For further details see Archivio Aperto, XI Edition, organised by L’Archivio Nazionale del Film di Famiglia (Bologna, Italy) 26 October – 3 December 2018.

The Historical and Cultural Dynamics of Home Movies

See ‘The Historical and Cultural Dynamics of Home Movies‘ by Tim van der Heijden.

The Research Value of Amateur Films…

See Laura Kissel, ‘The Research Value of Amateur Films: Integrating the Use of Amateur and Found Footage into a Film Production Course’, The Moving Image: The Journal of the Association of Moving Image Archivists, Vol. 2, No. 2 (FALL 2002), pp. 153-157.

‘Adventures in film ― research through the camera lens’

Of possible interest:  ‘Adventures in film ― research through the camera lens

‘Re-framing home movies: L’eredità ritrovata’

A five-part workshop dedicated to the study of amateur filmmaking practice and bringing together a group of archivists, filmmakers, historians and curators. 24 September 2018 – February 2019. The project is curated and coordinated by Karianne Fiorini and Gianmarco Torri, and organised and promoted by Lab80 / Archivio Cinescatti (Bergamo), Associazione Museo Nazionale del Cinema / Superottimisti (Torino) and Società Umanitaria / CIneteca Sarda (Cagliari). Funded by Sillumina /SIAE and by the MIBACT (Ministry of Culture).
For more information see L’eredità ritrovata

 

International Kino Club Histories, Alternative Film/Video Research Forum, Belgrade, 12-16 December 2018

Alternative Film/Video Research Forum 2018
International Kino Club Histories
12-16 December 2018, Belgrade

On the occasion of the 60th anniversary of Academic Kino Club, founded in Belgrade (then Socialist Yugoslavia, now Republic of Serbia) in 1958, the Alternative Film/Video Research Forum 2018 will be dedicated to the international histories of kino clubs in Europe and beyond.

There is a particular postwar history of kino clubs in Socialist Yugoslavia that is rooted in an official state movement to disperse technical cultures into the hands of non-professionals. These technical cultures included photography, radio, and cinema, among others. It was in the kino clubs where new aesthetics were born, also a new politics of amateurism. A new type of cineaste was forged in these clubs, and they quickly exerted their influence over professional production from the 1950s through the 1970s – widely considered the golden age of many European national cinemas, and not for coincidental reasons. The clubs operated mostly as free spaces, where ideological interference from without was at a minimum. Filmmaking was practiced, but also theory was produced, as well as exhibitions, publications, and more. Some of these clubs are still active, with histories stretching back to the interwar period, but with geo-political contexts and technological means that continue to shift regularly. A complete and proper international history of cinema cannot be written without these clubs, though they have not often been at the forefront of research or curatorial portfolios.

In Socialist Poland the kino clubs were often attached to factories, and existed for the edification of workers. In Socialist Hungary they sometimes functioned like studios. In Western Europe they commonly engaged in distribution and exhibition. In North America they often situated themselves on the front lines of socio-political struggles. These varied histories demand further complication and exploration, and to be placed into the context of their counterparts across the globe. This intersectionality will be the work of the 2018 Research Forum – for a different genealogy of kino-enthusiasm, and for a different international kino culture.
This one-day event running concurrently with the festival Alternative Film/Video in Belgrade will assemble a group of curators, critics, artists, and researchers for an intimate encounter where presentations will be delivered and discussions held on the topic as outlined. We are accepting abstracts of 300 words along with short biographies of 150 words for consideration. Selected participants will be given support toward their accommodation in Belgrade but are asked to cover travel expenses on their own. Please forward inquiries and submissions to Greg de Cuir Jr, selector for Alternative Film/Video, no later than 15 September 2018 at gdecuir@yahoo.com.

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The Alternative Film/Video Research Forum was established in 2012. Participants have included artists such as Marina Gržinić, Ivan Ladislav Galeta, and Dirk de Bruyn, researchers such as Miriam de Rosa and Terri Francis, curators such as Shama Khanna and Bruce Posner, and others. The founding curator of the Research Forum is Greg de Cuir Jr.

Alternative Film/Video (Belgrade, Serbia) is an international festival for new film and video tendencies and one of the oldest manifestations of its kind in Europe. It was founded in 1982 as an antidote to commercial film and video-making and to support unconventional practices while celebrating moving image cultures. Alternative Film/Video is organised by and hosted at AFC Belgrade, which was established in 1958 as Academic kino club and where many iconic filmmakers worked, including Tomislav Gotovac, Živojin Pavlović, Radoslav Vladić, and others. Visit the website at www.alternativefilmvideo.org/

La ville et les cinéastes amateurs Conference

La ville et les cinéastes amateurs‘ conference, 16 May 2018, Chapelle Saint-Sulpice, Chemin de Tivoli, étang de l’Olivier – 13800 Istres. Organised by Cinémémoire. Keynote speaker:Professor Roger Odin.

© 2012 Amateur Cinema Studies Network (ACSN)